八卦掌八大掌法練藝歌/Baguazhang Ba Da Zhang Fa Lian Yi Ge – Baguazhang’s Eight Big Palms Method Training Skill Song

八卦掌八大掌法練藝歌/Baguazhang Ba Da Zhang Fa Lian Yi Ge – Baguazhang’s Eight Big Palms Method Training Skill Song

•踏掌/Ta Zhang – Compressing Palm 三角步法走四面,八方八打不滯慢。   迎招踏它頭面胸,坐身踏其腰胯肚。 Triangle Footwork Walks the Four Sides, the Eight Directions & Eight Strikes aren’t … Continue reading 八卦掌八大掌法練藝歌/Baguazhang Ba Da Zhang Fa Lian Yi Ge – Baguazhang’s Eight Big Palms Method Training Skill Song

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孫氏太極拳參考資料: 王宗岳太極拳論/Sun Shi Taijiquan Can Kao Zi Liao: Wang Zongyue Taijiquan Lun – Sun Style Taijiquan Reference Material: Wang Zongyue’s Taijiquan Theory

孫氏太極拳參考資料: 王宗岳太極拳論/Sun Shi Taijiquan Can Kao Zi Liao: Wang Zongyue Taijiquan Lun – Sun Style Taijiquan Reference Material: Wang Zongyue’s Taijiquan Theory

太極者,無極而生;動靜之機,陰陽之母也,動之則分,靜之則合。無過不及,隨曲就伸。人剛我柔謂之走,我順人背謂之黏。動急則急應,動緩則緩隨。雖變化萬端,而理惟一貫。由著熟而漸悟懂勁,由懂勁而階及神明。然非用功之久,不能豁然貫通焉。虛靈頂勁,氣沉丹田。不偏不倚,忽隱忽現。左重則左虛,右重則右杳。仰之則彌高,俯之則彌深。進之則愈長,退之則愈促。一羽不能加,蠅虫不能落。人不知我,我獨知人。英雄所向無敵,蓋皆由此而及也。斯技旁門甚多,雖勢有區別,概不外乎壯欺弱,慢讓快耳。有力打無力,手慢讓手快,是皆先天自然之能,非關學力而有所為也。察四兩撥千斤之句,顯非力勝。視耄耋能禦眾之形,快何能為?立如平準,活似車輪。偏沉則隨,雙重則滯。每見數年純功不能運化者,皆自為人制,卒不能制人,則雙重之病未悟耳。欲避此病,須知陰陽。黏即是走,走即是黏。陽不離陰,陰不離陽,陰陽相濟,方為懂勁。懂勁後,愈練愈精,默識揣摩,漸至從心所欲。本是舍己從人、多誤捨近求遠。所謂差之毫釐,謬之千里,學者不可不詳辨焉。 Taiji is given birth by Wuji; it is the Pivot of Movement & Stillness, as well as the Mother … Continue reading 孫氏太極拳參考資料: 王宗岳太極拳論/Sun Shi Taijiquan Can Kao Zi Liao: Wang Zongyue Taijiquan Lun – Sun Style Taijiquan Reference Material: Wang Zongyue’s Taijiquan Theory

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An Excerpt from Li Cunyi’s Five Phases Manual: 第二節: 變化/Di Er Jie: Bianhua – Section Two: Variations

An Excerpt from Li Cunyi’s Five Phases Manual: 第二節: 變化/Di Er Jie: Bianhua – Section Two: Variations

第二節: 變化/Di Er Jie: Bianhua -Section Two: Variations 拳雖有五而寔有神妙之功用自其變化言之則。劈拳有六, 鑽炮横各有七, 崩拳有九, 共三十六套。以下分述之凡前所有者皆列每段之首。 Although there are only Five Fists, it is … Continue reading An Excerpt from Li Cunyi’s Five Phases Manual: 第二節: 變化/Di Er Jie: Bianhua – Section Two: Variations

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Excerpt From Huang Yuanxiu’s Wudang Sword Method Essentials: 武當劍法十三勢/Wudang Jian Fa Shisan Shi – Wudang Sword Method’s Thirteen Patterns

Excerpt From Huang Yuanxiu’s Wudang Sword Method Essentials: 武當劍法十三勢/Wudang Jian Fa Shisan Shi – Wudang Sword Method’s Thirteen Patterns

武當劍法。大別為十三勢。以十三字名之。即抽帶提格。擊刺點崩。攪壓劈截洗。亦似太極拳之掤捋擠按。采挒肘靠。前進後退。左顧右盼。中定也。此外另有舞劍。未有定式。非到劍術純妙不能學習。非口授面傳。不能領會。 In the Wudang Sword Method, the most important set is the Thirteen Patterns. They’re named according to Thirteen Characters, … Continue reading Excerpt From Huang Yuanxiu’s Wudang Sword Method Essentials: 武當劍法十三勢/Wudang Jian Fa Shisan Shi – Wudang Sword Method’s Thirteen Patterns

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